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Attractive book for intermediate book collector
- Sales Rank: #6296133 in Books
- Published on: 1930
- Format: Import
- Number of items: 1
- Binding: Hardcover
- 334 pages
Most helpful customer reviews
0 of 0 people found the following review helpful.
The Memoirs Continue
By M. G Watson
MEMOIRS OF AN INFANTRY OFFICER is the second volume of Siegfried Sassoon's "Sherston Trilogy" - the mostly autobiographical series of memoir-novels he wrote detailing his youth in Edwardian England, his coming-of-age in the trenches of the Western Front during The Great War, and the conflicted life he led in the years following it. Although the books are not very well-known in the United States, they are penetrating accounts of a world which is totally extinct but - if the success of "Downton Abbey" is any indication - still holds a peculiar fascination for English-speakers everywhere.
The first book in the trilogy, MEMOIRS OF A FOX-HUNTING MAN, is a finely painted picture of what Oliver Edwards called "the lazy country-house life" of prewar England: a life of fox-hunting, horse-racing, cricket, pipe tobacco, port wine, expensive clothes, debutante balls, gardening, and snobbery. Indeed, if that book has a serious flaw, it is the relentless shallowness and triviality of "George Sherston's" life. An orphan raised by a well-to-do but dotty aunt, he spends every waking moment worried about appearances, social positioning, and how many trophy cups he has in his study; by the time World War One comes around to wrench him out of his life of genteel indolence and fling him into the mud of Flanders, the reader is a bit weary of this selfish manchild. And yet by the time MEMOIRS OF AN INFANTRY OFFICER opens, George Sherston is quite a different bloke. At 28 years old, he has finally come to grasp a horrible fact: that the world he left, and is ostensibly defending from the Germans, is finished regardless of the war's outcome. This realization is his first step toward maturity, and in a sense that is what this book is about: the belated transformation of a venal, callow, fox-hunting boy into a man who at first embraces and then bitterly rejects the war which has made him a hero.
Like its predecessor, INFANTRY OFFICER is written in a meticulous, thorough, gentle English prose which is often slow but always attractive. Sassoon was a deeply thoughtful man, and relates the horror, indignity and black humor of war in a measured way which may disappoint those looking for a "hot lead and cold steel" battle story. At first enthusiastic about combat, he slowly comes to misgive and to resent the civilians for whom he is fighting, as well as his blundering superiors and the British government. Decorated with the M.C. for his exploits in No Man's Land, he begins to suspect that his heroism is being put to sinister ends. Convalescing from injuries back in England, he is jarred by the bloodthirsty, callous, exploitative, selfish attitude of those he left behind. No one understands what is going on at the front, and many do not care, so long as the champagne at the Savoy is still flowing. In one of the book's most effecting moments, he is even told by one of the titled snobs he used to admire that since he is not an heir to a great name, his death in battle would be no great loss. In another, when he decides to come out against the war, his close friend David Cromlech (alias Robert Graves, later the author of GOOD-BYE TO ALL THAT and I, CLAUDIUS) informs him the government will shut him up in an insane asylum rather than give him the satisfaction of a court-martial. The destruction of all of his youthful ideals is painfully recorded, along with the futile assaults on the German wire and the deaths of his close friends and comrades. We sense, amidst all the gas and shell-fire, that it is not so much George Sherston's old self which is passing away, so much as the illusions of the Edwardian era, an era, Orwell said, "with an atmosphere about it of soft-centered chocolates and creme-de-menthe and endless strawberry ices consumed to the tune of the 'Eaton Boating Song.'" George Sherston the fox-hunting boy would never dare, never even think, of questioning the war...but what about George Sherston, the man?
It's true that the book is not perfect. Sassoon is a gifted writer and a very intelligent man, but he is not a master storyteller. In addition to its occasional sluggishness, Sassoon never once mentions the poetry which he published throughout the war and which made him somewhat famous even before his well-publicized struggle with the British Army began - a notable omission, especially since Sassoon's fame as a poet is largely the pivot on which the third act of his real-life story turned. What's more, a thread of conflict runs throughout the entire book: Sassoon is clearly embittered by what he sees in the war, but is constantly qualifying every criticism he makes of society and his superiors, as if the etiquette he learned as a boy prevents him from venting his true feelings. The British use the phrase "he never lets rip" to describe a man with too much self-control, and this appellation fits Sassoon rather well. However, these flaws are largely canceled out by what he does well: description, character sketches, interior monologue, and - let's face it - prose-writing for the sheer joy of putting words together in an agreeable way. A very different book than its predecessor, INFANTRY OFFICER is still visibly cut from the same rich cloth. The arc of George Sherston's journey through life continues, and while each book can be regarded as a stand-alone piece, together they make for a very satisfying journey.
1 of 1 people found the following review helpful.
Memoirs of an infantry man
By Romey
I read this book when I was quite young and it shocked and saddened me. My grandfather was a captain in the first world war and was awarded an MC and bar for acts of courage. All his senior officers were killed in one push forward and he became the only officer to lead the troops. He was blinded in one eye and could not see through the other. However, most generously the US had sent 400 opthalmic surgeons to the war in France and he was operated on and fortunate enough to have partial sight restored in the second eye. When he returned to England all during the first year he lived in a shed at the bottom of the garden - obviously in retrospect he was suffering from shell shock. When I read the book as a young girl, I knew nothing about his history. I was just appalled at the terrible conditions in the trenches in the first world war as graphically described by Siegfried Sassoon and I always remembered the book. I wanted to read it again. Luckily Amazon found it for me.
14 of 14 people found the following review helpful.
Truth Through the Veil of Fiction
By RCM
While perhaps best known for his poetry written during WWI, Siegfried Sassoon was a very talented wordsmith in general, a trait that is demonstrated in his second semi-fictionalized autobiography, "Memoirs of an Infantry Officer". Sassoon chose to fictionalize his accounts of his life, an odd technique that allows him to distance himself from these experiences as he intimately describes the raw emotion and response behind them. In his three memoirs he is George Sherston, a thinly veiled version of himself, who thinnly veils the real-life characters he encountered during these times.
Readers are automatically flung into Sassoon's war experience, from the disjointed and fantastical training, to the brutal reality of life in the trenches. Sassoon describes these experiences in vivid detail, the sheer misery of trench warfare, the almost callous attitude toward the dead on both sides, and the surreal life led by those back home. Sassoon, nicknamed "Mad Jack" for his stubborness and seemingly sheer lunacy at times, was awfully lucky during his battle campaigns. He was wounded a few times, always sent back home to England to recuperate, and almost happy to return to the war.
However, after one session as an invalid, Sassoon begins to recognize that the war may not be all it's cracked up to be, that those in power are not telling the truth about their war aims, and that he may just be a lowly pawn in a game he doesn't want to play. Towards the end of his narrative, Sassoon tells of his decision to speak out against the war, even if it meant being court martialed. This act, filtered with courage and fear, is achingly portrayed as an act both necessary and questionable: as Sassoon places himself in danger, he questions his true beliefs in the matter. This account ends just as Sassoon enters the hospital in Scotland, avoiding court martial with a diagnosis of shell shock, 'lucky' as usual.
"Memoirs of an Infantry Officer" is a vividly descriptive account of life in the trenches during WWI. Sassoon is a gifted storyteller, who can make even the direst settings come to life. He offers a unique insight into the soldier poets who first questioned whether or not war was such a noble and glorious pursuit and if the sacrifice of lives was worth the price in the end. While a little slow at times, the last quarter of the narrative which details Sassoon's questioning of the war, is a brilliantly written firsthand look at how a too little celebrated writer finally found his voice.
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